SHAIV
PARADIGMS
AND
AFROEUROPEAN
PARADIGMS
AND
AFROEUROPEAN
PARADIGMS
BY
SHRIDHAR TILVE-NAIK
CHAPTER 1
INTRODUCTION
1 intro
2lineage
3why should we discuss shaiv dhamm
INTRO
In
this multi subjective era, I feel greatly honoured by an invitation to present
this paper , as in the field of academics, an artist like me is rarely invited.
I hope these kind of interconnect-ivitees
among academic; semi academic & non
academic thought flows enrich each other's networking capacity of knowledge.
I
am presenting this paper as semi academic Shiv which manifests itself in many
manifestations (avtars) such as senser,
perceptor, observer, witness(sakshi) and
positioned as sanyasi-copy writer-director-poet-novelist- Bollywood film
consultant to newcomers in context of contemporary scenario.
My
childhood as a villager in Nageshi Bandiwade and kasbewala as a kolhapuri fellow who didn’t
understand English language till 10th standard always kept me away
from the direct influence of euro-centericism & my upbringing in Indian
darshanic dhara nurtured me as an Indian for whom Europe was a mere
geographical continent in globe. I realised the influence of EUROPEAN paradigm
rather late in life. I am clearing this factual side first because I feel that
my position might have some ruptures & discontinuties in my understanding
about Europe.
I think
that now it's time to treat THE EUROPE
as Europe rather than Rulers. Their historical position-play is too much
overemphasized by our post colonial thinkers which has polluted our
knowledge-environment so rootedly that our fruit of knowledge is genetically
handicapped rather seedi-capped by EUROPEAN think tank. I am not swadeshivadi
like Mahatma Gandhi but I feel that our accomodational powerhouse must have
space for Indian breathing to keep vitality redbloodcellic in this virtual
hyper reality. This emphasis on space for Indian breathing is naturally bound
to transform the priority of Indian paradigms over EUROPEAN paradigms making the
remapping of alternative discourse possible. It is observable to look at
EUROPEAN subject & how it malfunctions
in identification of Indian
identity. Let me narrate a real life incident.
“This
was in 2003! I was spreading the rawrice to dewater it in my house-yard.
Suddenly a British couple stopped their car in front of my house to buy the
cigarette. While he was purchasing, a woman in car unintentionally looked at
me. I was in musical mood like an Indian farmer and singing the song while
working
“My heart goes shakalaka in the Morning ………
…
My Heart
goes shakalaka in the sunshine”
I was dressed in typical Bombay style i e the Bermuda pant and
baniyan. She was completely surprised by this scenario.
“ The Indian farmer with English song working on rice
crop”
She exclaimed, “Ohh God! Look ….What globalisation has
done to Indian farmer! No! No!...”
She meant that a farmer in the Goan Village is doing
his job & yet singing English song. Naturally she didn’t know that I work
in bollywood .
Here
she was interpreting my textuality through the EUROPEAN paradigm. An English
textual representation in ‘song’ as a
metaphor of globalisation & my ‘Working’ as a metaphor of Indian farmer.
She couldn’t read an empty rupture which was hiddenly chaired in my
cosmopolitan identity as it was not present in front of her textual
networking. Her outsiderness
supplemented her real perspective with misleading conclusion & she missed
the bus of main text unintentionally.
So,
point is , instead of watching India through EUROPEAN paradigm I think it's
better to interpret EUROPEAN & Indian paradigms through Indian darshan-line for which I am using Indian
terminology in this discourse as I believe that it will work as a correct
conceptual tool to express Indian ethos.
LINEAGE
In
INDIA every darshnik has to give his own darshan-lineage first.
I am
official pujari of RAWALHNATH TEMPLE in NAGESHI-BANDIWDE and naturally well
connected to this lineage.I was official SHAIV GURU by birth but I abondoned
this post for my spiritual sadhna. My lineage begins from BHAGWAN SHIV. Here I
am giving it as it's given to me by my grandfather Vasudev Naik.
Bhagwan Shiva
|
Rawalhnath
|
Nakulish
|
Patanjali
|
Kalamukh
|
Veershaiv(BASWESHWAR)
|
SAkhenatenaram
Tilve
|
Hari Naik
|
Shridhar Govind Tilve
|
Vasudev Naik
|
Shridhar ShantaramTilve/Naik
After my spiritual sadhna it has changed as below
Bhagwan
Shiva
|
Rawalhnath
|
Nakulish
|
Patanjali
|
MAHAVIR
|
BUDHHA
|
Kalamukh
|
Veershaiv(BASWESHWAR)
|
CHATRAPATI SHIVAJI
|
SAkhenatenaram
Tilve
|
Hari Naik
|
Mahatma Phule
|
Ramkrishna paramhans and Vivekananda
|
Shridhar Govind Tilve
|
Babasaheb Ambedkar
|
Vasudev Naik
|
Shridhar ShantaramTilve/Naik
WHY SHOULD WE DISCUSS SHAIV DHAMM?
Somebody can ask question why I am doing this pastnetal historical
nonsense here? Who care about your
lineage ? But dear, paradigm play
starts from this nonsense. We bollywood people always do our first NAMAN to
either NATRAJ OR GANRAJ and nobody feels any nonsense in it because pasting is
in our genetical conditioning and on one or other level we all are related with
SHAIV DHAMM.
Why should we study SHAIV DHAMM AND IT'S
DARSHANS.There are lots of reasons behind it.
· 1 First
it's the first intellectual discourse happened in INDIA whose evidences are
available in all forms (SEALS TO VERNACULAR TEXTS) FLOWING from INDUS
CIVILIZATION to CURRENT INDIAN CIVILIZATION.
· 2 It's
still alive in INDIA and 80% INDIANS are
following it in one or other form.
· 3 So
called HINDU religion is derived from it.
· 4 I am
born and brought up in this darshan in it.
· 5 It's
the only darshan which has continuity of 10000 - 7000 years
Continuity of Indian Culture is the
continuity of Shaiv Darshan or SHAIV DHAMM
· 6 It's
the only darshan which is open to all Varnas, castes, tribes, religions, races,
and areas. Naturally textualization is continue.
· 7 It's
by birth feminist and shakti has equally
important part in creation of world. It's equally open to all women and
women in this darshan from PARVTI to AKKMAHADEVI . It's the only darshan in
world in which enlightened mukt is projected in form of ARDHNARINATESHWAR.
· 8 It's
the only dhamma which has created four darshanas with various aspect
VAISHISHIK(spand to kan)
NYAY(samtol and equality through
anthkaran)
SANKHYA(purush-prakruti 24 tatwas)
YOG(upay)
· 9 It's
the only darshan in which whole family is involved i e
SHANKAR-PARVATI-GANPATI-SKAND
· 10
Current INDIAN DIASPORA was initiated by this darshan through SAIBABA/SAINATH
who attained MUKTI through yoga and KUNDLANI YOGA
· 11It's
the only darshan which is open to untouchables also.
· 12 It's
the only darshan which occure in most of the INDIAN ADIVASIS.It means it's
SPREAD in MARGI,DESHI,POTI,AND JAMATI
· 13It's
the only darshan whose first family executed family planning through SPIRITUAL
CONTROL SANYAM. TWO SONS AND ONE DAUGHTER.
· 14 It's
the only Indian Darshan which has healthy relationship with devas rakshas as
well as asuras.
· 15 It's
the only darshan in which NAGAS DRAVIDS AND ARYANS are well-assembled.
· 16 It's
darshan by first enlightened person
· 17
Surprisingly it's the first darshan respected by MUSLIMS also who dance in GANPATI festival. As it's open to all
everybody is allowed and young generation of MUSLIMS is participating in it
following SALMAN KHAN. Many muslim
spiritual seekers are ready to accept BHAGWAN SHIV as first prophet which is
really rare scenario.
I hope
these reasons are enough for thoughtspandaning.
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