Saturday, January 31, 2015


Shridhar Tilve

FROM CHILDHOOD I WAS INCLINED TOWARDS FOUR THINGS 1SPIRITUALISM 2 HISTORY 3 POETRY 4 ASTROLOGY . MY FAMILY IS THE PUJARI OF RAWALNATH TEMPLE SO NATURALLY SEARCHING FOR INFINITY IS IN MY GENES .MY BOTH GRANDFATHERS WERE ASTROLOGERS AND THEY WERE TOO MUCH ACCURATE ABOUT THEIR PREDICTIONS THEY NEVER CHARGED SINGLE PAISA FOR IT AND I ALWAYS USED TO SURPRISE BY THEIR ACCURACY. MY FAMILY WAS PART OF GOA'S FREEDOM STRUGGLE AND MY MATERNAL UNCLE ROHIDAS NAIK IS A FREEDOM FIGHTER( WE STILL DEBATE ON KESHAWSUT)HE LATER GOT ELECTED AND BECAME SARPANCH AND M L A . HE LATER BECAME leader OF MAHARASHTRAWADI GOMANTAK PARTY MY FATHER SET UP FIRST MONTESSORY SCHOOL IN AREA WHICH IS NAMED AS SHRIDHAR TILVE VIDYA MANDIR ALL THIS BACKGROUD CREATED INTEREST IN MY MIND ABOUT HISTORY MY MOTHER ALWAYS SING POEMS MY FATHER LITERALLY COMPELLED ME TO WRITE POEM FOR COMPETITION AND I BECAME POET TODAY I AM A 1 SPIRITUAL 2 HISTORIAN 3 POET 4 AND ASROLOGICAL FUTURIST NOW WHEN I SEE THIS GRAPH I REALISE THAT ITS ALL ABOUT UNDERSTANDING AND PRESENTING TIME .HISTORY IS ABOUT PAST ASTROLOGICAL FUTURISM IS ABOUT FUTURE POETRY IS ABOUT PRESENT AND SPIRITUALISM IS ABOUT TRANSCENDING TIME SEARCHING SOMETHING ETERNAL

Friday, January 30, 2015


SHAHAMRUG· 


LOK MHANTAT MI KUTHLYAHI GOSHTICHI PISE KADHTO KAY KARU MI SHAHAMRUG NAHI...........


लोक म्हणतात किं मी कुठल्याही गोष्टीची पीसे काढतो काय करू मी शहामृग नाही 
 CHAUTHI NAVTA


Some critics are messing up roman script issue with CHAUTHI NAVTA.Chauthi Navta is sociospiritual phenomenon which is happening around us.It's not shridhar tilve's personnel issue. You can give another name and discuss it but please discuss it.Otherwise another brand of lyricist will take contemporary Marathi Literature in their commercial hand and next generation GEETRAMAYAN will start to represent Marathi Poetry.The problem with wise people is same throghout the generations.They don't realise that they are in minority and fight on trivial issues and in long run they kill each other.They die their own death in senseless foolishness and shallow people dance on their cultural bodies.

 SHRIDHAR TILVE

Without knowing NEWTON people want to become EINESTEINE.

Everything is translation
NOTHING is original
shridhar tilve

I don't need any meaning for life because life doesn't have any meaning
Life is a kartoon invented by DISCOVERY  
NAMDEO DHASALH

Everybody knows that the exit of NAMDEO DHASALH is bound to happen and yet when it happened it brought pain in heart. For me he was the greatest poet of  postsixty  generation who changed the structure of MARATHI POETRY forever.

After NAMDEO DHASAL you can't write shallow poetry of social commitment. NAMDEO compelled us to penetrate the social commitment and reinterpret the idological issues in radical ways . Here was the AMBEDKARI POET with univarsal talent who is bettering his skill and talent day by day. His vision was initiated by DALIT OF INDIA but in the end he went beyond it and enriched his poetry to global level.


NO DOUBT his BODY is dead but his poetry will inspire all upcoming generations for centuries.
NAMDEO DHASAL HA MAZA TULA AKHERCHA JAYBHIM.

Thursday, January 29, 2015

विसाव्या शतकातील कविता 

जेव्हा सचिन केतकर ह्याने निवड दिली तेव्हा मी फ़क्त कबीर निवडला सम्पूर्ण वीसाव्या शतकात mazzya मते ग्रेट कविता निर्माण zALICH नाही। विसाव्या शतकातील सर्वच कवि फेक स्पिरिचुअल आहेत। ना ह्या लोकांना अध्यात्मिक साधना करायची होती ना निर्वाण वा मुक्तिसाठी आयुष्य पणाला लावायचे होते। मराठ्ठित तर ह्या लोकांनी चक्क वारकरी पंथ आपल्या खोट्या अध्यात्म्याच्या प्रसारासाठी वापरला।  अश्या लोकांना कोण लाइक देणार ?

Tuesday, January 27, 2015

SUBJECT ISN'T DEAD

So called western philosophers are consistently imagining death of subject but unfortunately and by blessing of our asoshi SUBJECT ISN'T DEAD.It's probably greatest tragedy of whumankind .Greater than greek and shakespearan tragedy.But who bothers?Everybody is interested in SELF-promotion through academic parrotalik . Only SPIMUTATION brings the death to subject.It requires sadhna and for academic people sadhna means suicide of security.Nobody has courage to take that risk.So subject is dead only in academics. In real life subject is creating subjects and subjectation is going outside the text as well as inside the text.

Monday, January 19, 2015

MY SAANNYYAS


WHEN I DECIDED TO TAKE SANAAYYAS EVERYBODY TOLD ME THAT I SHOULD FOLLOW TRADITIONAL SANNYYAS EITHER OF SHANKARACHARYA OR OF BUDDHA OR OF MAHAVIR.

MY QUESTION WAS SIMPLE.

''BEING ALL THESE RESPECTED HAD RESTED IN DEATH THOUSAND YEARS BACK HOW CAN THEY GIVE DIKSHA TO ME WHO IS ALIVE.? CAN DEAD GIVE SANNYYAS TO ALIVE? I AM TAKING SAANYYAS FOR MY ''SELF''NOT FOR ANY RELIGION OR FOR ANY ENLIGHTENED PERSON.SO I HAVE TO TAKE SAANNYYAS IN MY OWN STYLE''

THEY DON'T UNDERSTAND ME.

I CELEBRATED MY SAANNYYAS IN MY OWN WAY AND NEVER SEARCHED SHELTER OF SECURITY IN TRADITIONAL ASHRAMAS OR RELIGIOUS SETUPS.

I DID MANY THINGS IN MY LIFE AND ENJOYED THEM.I NEVER DISCUSSED MY  SANNYYAASS UNNECESSARILY.I LIVE SANNASSIHOOD WITHIN COMMON MAN'S
LIFE.
ELEPHANT AND SEVEN BLIND

THE TRUTH ISN'T LIKE AN ELEPHANT
WE CREATE SOMETHING LIKE AN ELEPHANT OUT OF TRUTH.

Sunday, January 18, 2015

WHAT SHOULD BUDHHA DO IN CONTEMPORARY ERA?

NOTHING. RETURN TO HIS COMMON MAN STYLE AND LIVE NORMAL LIFE? Why should he discuss his inner flowering of zero? People will create another religion which will only add another style of religious exploitation.SO IF YOU ARE BUDHHA JUST BE COMMON MAN . BY COMMONMANNING YOUR BODY YOU AVOID FUTURE EXPLOITATION. TIMELESSNESS DOESN'T MEAN CARELESSNESS .
SPIMUTATION

Nobody believes you when it happens to you especially  people around you.It becomes difficult to them because just before spimutation you were the guy who was just like them.How can a stupid man just like us get spimutation? Their reaction: DEFINITELY LYING. Natural reaction and obvious also.Does it make difference? NO! You just smile in your nothingness. 

Saturday, January 17, 2015

THE YEAR OF BODY

2014 was the year of body for me.Operation,severe illness,physical attack and miracles chased me throughout this year. As my one hand was completly dislocated and other injured I lost the ability to write and in due course couldn't fulfill my column assignments in PRAHAR AND DIVYA MARATHI.SPIRITUALLY it was best.Something happened for which I was waiting . It was an unexpected turn.SHRIDHAR TILVE IS NO MORE SHRIDHAR TILVE NOW. THE MAN HAS GONE FOREVER.

Thursday, August 1, 2013

TEXTBOOKS ARE DEAD

One size doesn't fit for every-body. But in pratisrushtiy age it was unavoidable, closed, blackinked,
annual event. But in chinhasrushtiy age BLACK IS NOT ONLY ONE. Digitality has changed everything and it's now time to try for open,multicolour,weekly,different texts for different student digichanism.Every student should have his/her own weekly textbook for each subject.It's the time for educational revolution.

SHRIDHAR TILVE

Saturday, July 6, 2013

COUNTING OF POEMS

COUNTING OF POEMS

The counting and classifying of poems is always a difficult task.Recently  I did this job and found that I have written more than 4000 poems.I always thought that the number must be around 1000.

 In marathi this number is crime because marathi critics find it difficult to read all those poems.Right now there are no readers for this genre and writing poetry has become thankless creative job. Nobody bothers about it and in return I also didn't bother about MARATHI NOBOTHERING. I wrote those poems because I was compelled by my urge to write.

My creative phenomenon is literary RAKSHASI and whenever  it charged me I either wrote 30 to 40 small poems or 1 long poem in one sitting. 10 sittings per year is my creative speed and it is still mystery for me.It means I gave only 10 days to poetry and all other days nonpoetrical days.And yet people think that I am poetrical person.


PUBLISHED POEMS

DEATHLON :                                                                       323
EKA BHARTIY VIDHYARTHYACHE PRAYOG             022
K VHI                                                                                   125
STREVAHINI                                                                       123
DECATHLON REAL                                                           065
DECATHLON SURREAL                                                   133
UNDER THE WORLD                                                        092
DECATHLON : LOCAL                                                      149
ATMACHARITRATLE KALPNIK KSHAN 3                    027
ATMACHARITRATLE KALPNIK KSHAN 2MALLCH    005  
DECATHLON :TRANSCEREAL                                         157   
CHANNEL : DESTROYRY                                                  012
-----------------------------------------------------------------------------------------------
TOTAL                                                                                                         1233         

SHRIDHAR TILVE

Tuesday, February 28, 2012

Thursday, February 23, 2012

BIBLIOGRAPHY AS A WRITER

Shridhar Tilve: Shridhar Tilve as A WRITER,Director, Screen play writer & actor

DIRECTOR

DIRECTED 15 COMMERCIALS TILL DATE

NOW HE HAS WRITTEN AND DIRECTED HINDI FEATURE FILM
KABHI KAHA NA KISISE
WHICH IS IN POSTPRODUCTION STAGE.

BIBLIOGRAPHY : POETRY

1 EKA BHARTIYA VIDYARTHYACHE UDGAR (POPULAR PRAKASHAN 1991 92)
2 KA.VHI.(POPULAR PRAKASHAN)
3 CHANNEL: DESTROYERY(GRANTHALI)
4 STRIVAHINI(SHABDWELL PRAKASHAN)
5 CHANNEL: UNDER THE WORLD(SHABDWELL PRAKASHAN)
6 DECATHLON(SHABDWELL PRAKASHAN)
7 DECATHLON:REAL(NAVTA PRAKASHAN)
8 DECATHLON:SURREAL(NAVTA PRAKASHAN)
9 DECATHLON:TRANSCEREAL(NAVTA PRAKASHAN)

BIBLIOGRAPHY: NOVEL

1 A.DOW.HAW.KA.BA.NA.SU.NA.(SHABDWELL PRAKASHAN)
2 ATMACHARITRATLE KALPNIK KSHAN:TOUCHY ,TOUCHABLE ANI
   UNTOUCHABLE(SHABDWELL PRAKASHAN)

BIBLIOGRAPHY: STORY AND CINEMA

1 AMERIKACHE ADHYAKSHA ALE TEVHACHI GOSHT (NAVTA PRAKASHAN)
  (STORY COLLECTION)
2 MANWANTAR:JOSHI KI KAMBLE (CINEMA STORY ORIGINAL NAVTA PRA
   KASHAN)

BIBLIOGRAPHY: CRITICISM

1 TEEKAHARAN:A CRITIQUE OF BHALCHNDRA NEMADE'S TEEKASWAYANWAR
(SHABDWELL PRAKASHAN)
2 CHAUTHI NAVTA(NAVTA PRAKASHAN)